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  dossier de presse Tendance 2010
  
  

Minimalist, the closest to the motion, Brice Leroux excels in the mathematics of bodies and gestures. He excels too in the mechanics of senses and troubles. Finding again the solo energy with which he won, at his debut in 1992, the first prize of the International Dance Contest of Paris, the choreographer annihilates motion in space and invites us to perceive the forces at stake in a body taken in a perpetual 3-D movement. Alone in the darkness, the figure of a dancer spinning around himself invites us to the most extravagant hallucinations. What do we see? With a mathematical precision, Brice Leroux declines a reduced range of articulatory possibilities and reveals a complex and rich composition, a micro-exploration of unknown zones of the human body. The spectator, under the influence of a process opening his eyes by under-supplying his vision, jumps on board of a ghost ship sailing blindly on the cloudy mist of desire and sensuality. The sensorial tension is at its peak until the very end, when stops the ticking of the hundred metronomes of Ligeti’s Symphonic poem…

“He plays with the hypnotic, the repetition until trance, and his scenes are meticulous and bewitching.” Le Point